IF I DIE, YOU GONNA DIE TOO a topological view of matter, defined by geometric order and degenerate ground
work in progress since 2022 |
AD FONTES, OCULIS TUIS EAM VIDERE
work in progress since 2024 |
SANS INTITULÉ 2023
édition
POSSIBLE ENVIRONMENTS 2020 - 2022
THE MATTER 2016 - 2022
I WISH I COULDN'T LIE / OUT OF NOTHING appendix 2020
HET HOOGSTE, HET BEVEL VAN KLEIST EN HET BEVEL VAN HET ABSOLUTE, A GRAPHIC NOVEL
work in progress since april 2020
work in progress since april 2020
In samenwerking met Eric Bolle
BEWIJSBARE MYTHEN 2018
Tijdloze mythen, ongeschreven wildernissen
Friedrich Hölderlin over Sophokles en Pindarus |
In samenwerking met Eric Bolle
TILES 2015 - 2018
LE PLI 2017
MIND OVER MATTER 2017
Film 00:45 hour
Film 00:45 hour
2015 - 2017
2560 x 1080 pix | 21:09 aspect ratio
2560 x 1080 pix | 21:09 aspect ratio
WHERE ARE YOU 2014 - 2016
POLYGON WIREFRAME (pw serie: Artist Proofs) 2013 - 2014
I WISH I COULDN'T LIE / OUT OF NOTHING 2006 - 2014
TUSSENGEBIED - INTERVENING AREA 2008 - 2012
What is the image actually? When there is nothing, the image finds its condition there, but disappears. The image asks for the neutrality and blurring of the world, it wants everything to return to the indeterminate background in which nothing is expressed, it strives for the intimacy of what still exists in the emptiness: therein lies its truth. But this truth is beyond the picture; it is made possible by the border where it stops. Hence its dramatic side, the ambiguity it exhibits and the brilliant deception of which it is accused. A proud power, says Pascal, that makes nothing of eternity and eternity of nothingness.
Maurice Blanchot
I WISH I COULDN'T LIE / OUT OF NOTHING (triptych) 2006 - 2012
I Wish I Couldn’t Lie 2006 - 2008 filmanimation 04:43 hour 1280 x 720 pix | 16:9 aspect ratio 2024 1920 x 1080 pix |
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WHEN MY EYES ARE CLOSED, I'M WHISPERING NOISES TO THE BACKGROUND OF MY MOUTH 1999 - 2001 (2004)
YPORT (triptych) 1998
'MAAR OOK NIEMAND WAS ZO BEKEND IN HAAR STEM' 1996 - 1999
'but no one was so known in her voice'
'but no one was so known in her voice'
nine pieces from 40x44 to 110x162 cm.
photograph emulsion on glass, aluminum, steel wire (a second glass plate isolates the film layer)
photograph emulsion on glass, aluminum, steel wire (a second glass plate isolates the film layer)