IF I DIE, YOU GONNA DIE TOO 2024 - 2022
a topological view of matter, defined by geometric order and degenerate ground
a topological view of matter, defined by geometric order and degenerate ground
SANS INTITULÉ 2024 - 2023
AT THE END AND THE BEGINNING OF TIME 2024 - 2021
in collaboration with REINIER VAN HOUDT
in collaboration with REINIER VAN HOUDT
CLOUDS 2024 - 2017
TILES 2024 - 2015
THE MATTER 2024 - 2015
POSSIBLE ENVIRONMENTS 2022 - 2020
I WISH I COULDN'T LIE at sequence OUT OF NOTHING 2020 - 2006
BEWIJSBARE MYTHEN 2018
in collaboration with ERIC BOLLE
in collaboration with ERIC BOLLE
MIND OVER MATTER 2017 - 2015
filmanimation 00:45 hour
LE PLI 2017
WHERE ARE YOU 2016 - 2014
POLYGON WIREFRAME (pw serie: Artist Proofs) 2014 - 2013
PHOTO DRAWINGS 20012 - 2006
in collaboration with SARAH VAN DER POLS
in collaboration with SARAH VAN DER POLS
TUSSENGEBIED - INTERVENING AREA 2012 - 2008
I WISH I COULDN'T LIE - OUT OF NOTHING 2012 - 2006
movie Triptych
movie Triptych
I Wish I Couldn’t Lie
2006 - 2008 filmanimation 04:43 hour 1280 x 720 pix 2024 1920 x 1080 pix
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WHEN MY EYES ARE CLOSED, I'M WHISPERING NOISES TO THE BACKGROUND OF MY MOUTH 2004 - 1999
THE GARDEN commissioned by the Social Insurance Bank 2003 - 2002
Cibachrome transparent in ceramic tempered glass, 760 x 246 cm (in nine parts)
THE GREEN RAY 2003 - 2002
previous to THE RAY 2000 - 1999
'MAAR OOK NIEMAND WAS ZO BEKEND IN HAAR STEM' 1999 - 1996
'but no one was so known in her voice'
'but no one was so known in her voice'
nine pieces from 40x44 to 110x162 cm.
photographic emulsion (gelatine) on glass, aluminum, steel wire (a second glass plate isolates the film layer). portrait: Maria Ikonomopoulou
photographic emulsion (gelatine) on glass, aluminum, steel wire (a second glass plate isolates the film layer). portrait: Maria Ikonomopoulou
YPORT (49.74202, 0.3033934) 1998
MATAS-LAS-CANAS 1996
ERRORES 1993 and A Book of Images 1993/92