IF I DIE, YOU GONNA DIE TOO a topological view of matter, defined by geometric order and degenerate ground 2022 - 2024
SANS INTITULÉ 2023 - 2024
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Brown box III/VIII - Black box II/V
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boxes and maps from the works since 1996 till now I/I
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THE MATTER chapter two 2022 - 2024
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A landscape contains no presence: it is itself the entire presence. But that is also why it is not a view of nature distinguished from culture but is presented together with culture in a given relationship (of work or rest, of opposition or transformation, etc.). It is a representation of the land as the possibility of a taking place of sense, a localization or a locality of sense, which makes sense only by being occupied with itself, making itself ‘‘itself’’ as this corner, this angle opened onto an area opposite or onto a spectacle already laid out; but it is an angle opened onto itself, creating an opening and thus a view, not as the perspective of a gaze upon an object (or as vision) but as a springing up or a surging forth, the opening and presentation of a sense that refers to nothing but this presentation.
Jean-Luc Nancy |
AT THE END AND THE BEGINNING OF TIME 2021 - 2024
the beginning of the world
work in progress the beginning of time work in progress by Reinier van Houdt |
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Het Hoogste, het bevel van het absolute en het bevel van Kleist 2020
HOLDERLIN | SCHELLING | KLEIST
Graphic novel
HOLDERLIN | SCHELLING | KLEIST
Graphic novel
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In samenwerking met Eric Bolle
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POSSIBLE ENVIRONMENTS 2020 - 2022
BEWIJSBARE MYTHEN 2018
Tijdloze mythen, ongeschreven wildernissen
Friedrich Hölderlin over Sophokles en Pindarus
Tijdloze mythen, ongeschreven wildernissen
Friedrich Hölderlin over Sophokles en Pindarus
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In samenwerking met Eric Bolle
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LE PLI (from the untitled world file) 2017
MIND OVER MATTER 2017
Film 00:45 hour
Film 00:45 hour
dubbelscreen version
2560 x 1080 pix
There are three versions: dubbelscreen, for two beamers and for four beamers (four walls)
THE MATTER chapter one 2016 - 2021
TILES 2015 - 2018
UNTITLED WORLD FILE / WHERE ARE YOU 2014 - 2016
POLYGON WIREFRAME (pw serie: Artist Proofs) 2013 - 2014
TUSSENGEBIED - INTERVENING AREA 2008 - 2012
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What is the image actually? When there is nothing, the image finds its condition there, but disappears. The image asks for the neutrality and blurring of the world, it wants everything to return to the indeterminate background in which nothing is expressed, it strives for the intimacy of what still exists in the emptiness: therein lies its truth. But this truth is beyond the picture; it is made possible by the border where it stops. Hence its dramatic side, the ambiguity it exhibits and the brilliant deception of which it is accused. A proud power, says Pascal, that makes nothing of eternity and eternity of nothingness. Maurice Blanchot |
I WISH I COULDN'T LIE / OUT OF NOTHING (Film triptych) 2006 - 2012
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fragment
I Wish I Couldn’t Lie 2006 - 2008 filmanimation 04:43 hour 1280 x 720 pix 2024 - 2025 1920 x 1080 pix |
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I WISH I COULDN'T LIE / OUT OF NOTHING 2006 - 2020
WHEN MY EYES ARE CLOSED, I'M WHISPERING NOISES TO THE BACKGROUND OF MY MOUTH 1999 - 2004
YPORT (triptych) 1998
'MAAR OOK NIEMAND WAS ZO BEKEND IN HAAR STEM' 1996 - 1999
'but no one was so known in her voice'
'but no one was so known in her voice'
nine pieces from 40x44 to 110x162 cm.
photograph emulsion on glass, aluminum, steel wire (a second glass plate isolates the film layer)
photograph emulsion on glass, aluminum, steel wire (a second glass plate isolates the film layer)
